Author couple Salim and Sulaiman Merchant's music has been as different as the movies they took a shot at, from Dor (2006), Chak De! India (2007), Fashion (2008) to Band Baaja Baaraat (2010) and Mardaani (2014). In any case, their nonappearance from the film music scene has been clear recently. The main venture the pair chipped away at in 2018 was 102 Not Out. This year, their sole offering so far has been the film Setters. Sulaiman uncovers that the present music situation, with changes of old tunes administering the perch, has fended off the pair.
"I accept that the music for a film needs to suit the film. In this way, if the sort of movies being made are not the benevolent we might want to work in, it's self-evident. I don't believe that the revamp situation which is going on right currently is something to be given a push to. We have gone out and said we won't do any revamps, which keeps us in an unbalanced position. Individuals realize we are not going to do that stuff, and that is the interest of the music business and names at the present time. Each mark needs a major hit out of one of the old revamps," says Sulaiman. The siblings, rather, have kept themselves occupied with free extends, and the melodic, Umrao Jaan Ada, which was arranged in Delhi as of late.
What's more, Salim echoes a similar assumption as Sulaiman. "We have been taking a shot at this melodic for nine months, and this adventure had such a great amount of profundity, regarding music since it has our old style roots, be it ghazals, khayal, people, qawwali… this is our fortune. I don't comprehend why the three-four individuals who are controlling the music scene in India, the record names, are making an evil spirit out of what is happening at the present time."
The Ali Maula and Mar Jawaan artist feels the group of spectators isn't keen on revamps however is exposed to it always in any case. "Purchasers and audience members are simply totally bothered and irritated with what's happening. Clearly, no one has a decision. They are kind of tuning in to what they are getting. It resembles eating in an eatery... when you are eager, and the eatery is giving you cheap food, you will accept that as you are ravenous. Yet, on the off chance that a similar eatery is giving you incredible gourmet sustenance, you won't get a sandwich. I would prefer not to name those music marks, however they are completely being the mafia here, and offering sh*t to the group of spectators. It's extremely tragic. In the event that you see, great arrangers like AR Rahman and Shankar-Ehsaan-Loy have taken somewhat of a rearward sitting arrangement," he finishes up.